2002New York
El-P
A crowded electronic world makes the voice sound like it is fighting for room.
Shared listening threads: Electronic + Experimental. An earlier comparison from 2002, not a claim of direct influence.
Open listening guide ↗ for Fantastic Damage
2001New York
Cannibal Ox
Two distinct voices describe a city through an alien electronic atmosphere.
Shared listening threads: Electronic + Experimental. An earlier comparison from 2001, not a claim of direct influence.
Open listening guide ↗ for The Cold Vein
2008South
Lil Wayne
Wayne's verbal unpredictability meets a broad range of pop-sized song ideas.
Shared listening threads: Experimental. An earlier comparison from 2008, not a claim of direct influence.
Open listening guide ↗ for Tha Carter III
2004Underground
Madvillain
Short, crooked songs make the gaps and joins part of the pleasure.
Shared listening threads: Experimental. An earlier comparison from 2004, not a claim of direct influence.
Open listening guide ↗ for Madvillainy
2003UK
Dizzee Rascal
Sparse electronic shapes make everyday isolation sound physically strange.
Shared listening threads: Electronic. An earlier comparison from 2003, not a claim of direct influence.
Open listening guide ↗ for Boy in da Corner
2000South
OutKast
OutKast turn rhythmic speed and stylistic collision into a whole atmosphere.
Shared listening threads: Experimental. An earlier comparison from 2000, not a claim of direct influence.
Open listening guide ↗ for Stankonia
1998South
OutKast
Two personalities stretch the album form without losing their shared centre.
Shared listening threads: Experimental. An earlier comparison from 1998, not a claim of direct influence.
Open listening guide ↗ for Aquemini
1995South
Three 6 Mafia
A hazy, threatening atmosphere built from repetition and collective voices.
Shared listening threads: Experimental. An earlier comparison from 1995, not a claim of direct influence.
Open listening guide ↗ for Mystic Stylez
1991New York
De La Soul
A playful group complicates the cheerful image attached to its debut.
Shared listening threads: Experimental. An earlier comparison from 1991, not a claim of direct influence.
Open listening guide ↗ for De La Soul Is Dead
1988New York
Ultramagnetic MC's
Kool Keith treats language like material that can bend out of shape.
Shared listening threads: Experimental. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for Critical Beatdown
1988New York
Public Enemy
Production that makes a political argument feel like an emergency.
Shared listening threads: Experimental. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for It Takes a Nation of Millions to Hold Us Back