1988New York
Ultramagnetic MC's
Kool Keith treats language like material that can bend out of shape.
Shared listening threads: Intricate rhymes + Experimental. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for Critical Beatdown
2000South
OutKast
OutKast turn rhythmic speed and stylistic collision into a whole atmosphere.
Shared listening threads: Experimental. An earlier comparison from 2000, not a claim of direct influence.
Open listening guide ↗ for Stankonia
1998South
OutKast
Two personalities stretch the album form without losing their shared centre.
Shared listening threads: Experimental. An earlier comparison from 1998, not a claim of direct influence.
Open listening guide ↗ for Aquemini
1995South
Three 6 Mafia
A hazy, threatening atmosphere built from repetition and collective voices.
Shared listening threads: Experimental. An earlier comparison from 1995, not a claim of direct influence.
Open listening guide ↗ for Mystic Stylez
2006Chicago
Lupe Fiasco
Ordinary objects and situations become the basis of carefully built stories.
Shared listening threads: Intricate rhymes. An earlier comparison from 2006, not a claim of direct influence.
Open listening guide ↗ for Food & Liquor
2004Underground
MF DOOM
A food motif becomes a flexible frame for rhyme, humour and collage.
Shared listening threads: Intricate rhymes. An earlier comparison from 2004, not a claim of direct influence.
Open listening guide ↗ for MM..FOOD
2004Underground
Madvillain
Short, crooked songs make the gaps and joins part of the pleasure.
Shared listening threads: Experimental. An earlier comparison from 2004, not a claim of direct influence.
Open listening guide ↗ for Madvillainy
2003New York
JAY-Z
A retirement frame gives a wide-ranging set of songs a dramatic outline.
Shared listening threads: Intricate rhymes. An earlier comparison from 2003, not a claim of direct influence.
Open listening guide ↗ for The Black Album
2002New York
El-P
A crowded electronic world makes the voice sound like it is fighting for room.
Shared listening threads: Experimental. An earlier comparison from 2002, not a claim of direct influence.
Open listening guide ↗ for Fantastic Damage
2002Detroit
Eminem
A more declarative voice works inside broad, often rock-leaning arrangements.
Shared listening threads: Intricate rhymes. An earlier comparison from 2002, not a claim of direct influence.
Open listening guide ↗ for The Eminem Show
2001Underground
Aesop Rock
Dense language circles the experience of work, time and limited agency.
Shared listening threads: Intricate rhymes. An earlier comparison from 2001, not a claim of direct influence.
Open listening guide ↗ for Labor Days
2001New York
JAY-Z
Soul samples turn confidence into a warm, forceful musical environment.
Shared listening threads: Intricate rhymes. An earlier comparison from 2001, not a claim of direct influence.
Open listening guide ↗ for The Blueprint
2001New York
Cannibal Ox
Two distinct voices describe a city through an alien electronic atmosphere.
Shared listening threads: Experimental. An earlier comparison from 2001, not a claim of direct influence.
Open listening guide ↗ for The Cold Vein
2000Detroit
Eminem
Public attention becomes material for unstable, technically controlled performances.
Shared listening threads: Intricate rhymes. An earlier comparison from 2000, not a claim of direct influence.
Open listening guide ↗ for The Marshall Mathers LP
1996Philadelphia
The Roots
Measured band interplay gives dense rapping a spacious frame.
Shared listening threads: Intricate rhymes. An earlier comparison from 1996, not a claim of direct influence.
Open listening guide ↗ for Illadelph Halflife
1996New York
JAY-Z
Polished surfaces reveal the anxiety inside a success story.
Shared listening threads: Intricate rhymes. An earlier comparison from 1996, not a claim of direct influence.
Open listening guide ↗ for Reasonable Doubt
1995New York
Big L
Punchlines arrive with the timing of a practised comic.
Shared listening threads: Intricate rhymes. An earlier comparison from 1995, not a claim of direct influence.
Open listening guide ↗ for Lifestylez Ov Da Poor & Dangerous
1995New York
GZA
Cool-headed rapping inside a tense, cinematic soundscape.
Shared listening threads: Intricate rhymes. An earlier comparison from 1995, not a claim of direct influence.
Open listening guide ↗ for Liquid Swords
1991New York
De La Soul
A playful group complicates the cheerful image attached to its debut.
Shared listening threads: Experimental. An earlier comparison from 1991, not a claim of direct influence.
Open listening guide ↗ for De La Soul Is Dead
1989West Coast
The D.O.C.
A nimble voice rides unusually spacious early West Coast production.
Shared listening threads: Intricate rhymes. An earlier comparison from 1989, not a claim of direct influence.
Open listening guide ↗ for No One Can Do It Better
1989New York
Kool G Rap & DJ Polo
Fast-moving rhymes already carry the outline of crime cinema.
Shared listening threads: Intricate rhymes. An earlier comparison from 1989, not a claim of direct influence.
Open listening guide ↗ for Road to the Riches
1988New York
Public Enemy
Production that makes a political argument feel like an emergency.
Shared listening threads: Experimental. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for It Takes a Nation of Millions to Hold Us Back
1988New York
Big Daddy Kane
Technical precision delivered with a showman's warmth.
Shared listening threads: Intricate rhymes. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for Long Live the Kane
1987New York
Eric B. & Rakim
The space between Rakim's syllables is as important as the rhyme.
Shared listening threads: Intricate rhymes. An earlier comparison from 1987, not a claim of direct influence.
Open listening guide ↗ for Paid in Full