1995New York
Big L
Punchlines arrive with the timing of a practised comic.
Shared listening threads: Intricate rhymes. An earlier comparison from 1995, not a claim of direct influence.
Open listening guide ↗ for Lifestylez Ov Da Poor & Dangerous
1995New York
GZA
Cool-headed rapping inside a tense, cinematic soundscape.
Shared listening threads: Intricate rhymes. An earlier comparison from 1995, not a claim of direct influence.
Open listening guide ↗ for Liquid Swords
1993New York
A Tribe Called Quest
A more polished Tribe record that keeps the conversation moving.
Shared listening threads: Jazz textures. An earlier comparison from 1993, not a claim of direct influence.
Open listening guide ↗ for Midnight Marauders
1992West Coast
The Pharcyde
Embarrassment becomes a source of musical invention.
Shared listening threads: Jazz textures. An earlier comparison from 1992, not a claim of direct influence.
Open listening guide ↗ for Bizarre Ride II the Pharcyde
1992New York
Gang Starr
Guru's composure makes DJ Premier's sharp edges stand out.
Shared listening threads: Jazz textures. An earlier comparison from 1992, not a claim of direct influence.
Open listening guide ↗ for Daily Operation
1991New York
A Tribe Called Quest
Bass, drums and two contrasting voices do the heavy lifting.
Shared listening threads: Jazz textures. An earlier comparison from 1991, not a claim of direct influence.
Open listening guide ↗ for The Low End Theory
1990New York
A Tribe Called Quest
A debut that finds adventure in an unhurried conversational voice.
Shared listening threads: Jazz textures. An earlier comparison from 1990, not a claim of direct influence.
Open listening guide ↗ for People's Instinctive Travels and the Paths of Rhythm
1989New York
De La Soul
A sample collage with room for jokes, tenderness and odd detours.
Shared listening threads: Jazz textures. An earlier comparison from 1989, not a claim of direct influence.
Open listening guide ↗ for 3 Feet High and Rising
1989West Coast
The D.O.C.
A nimble voice rides unusually spacious early West Coast production.
Shared listening threads: Intricate rhymes. An earlier comparison from 1989, not a claim of direct influence.
Open listening guide ↗ for No One Can Do It Better
1989New York
Kool G Rap & DJ Polo
Fast-moving rhymes already carry the outline of crime cinema.
Shared listening threads: Intricate rhymes. An earlier comparison from 1989, not a claim of direct influence.
Open listening guide ↗ for Road to the Riches
1988New York
Ultramagnetic MC's
Kool Keith treats language like material that can bend out of shape.
Shared listening threads: Intricate rhymes. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for Critical Beatdown
1988New York
Big Daddy Kane
Technical precision delivered with a showman's warmth.
Shared listening threads: Intricate rhymes. An earlier comparison from 1988, not a claim of direct influence.
Open listening guide ↗ for Long Live the Kane
1987New York
Eric B. & Rakim
The space between Rakim's syllables is as important as the rhyme.
Shared listening threads: Intricate rhymes. An earlier comparison from 1987, not a claim of direct influence.
Open listening guide ↗ for Paid in Full